A Study on the Digital Exhibition and Communication of Mount Tai's Fengshan and Sacrificial Culture from the Perspective of Aesthetics

Authors

  • Yaqin  Fu School of Modern Art, Shandong University of Engineering and Vocational Technology, Jinan, China  
    fyq19946285149@163.com

DOI:

https://doi.org/10.62531/14270.2024.42098.176

Abstract

Mount Tai's Fengshan and Sacrificial Culture, as an important component of Chinese traditional culture,contains profound historical value and unique aesthetic characteristics. This paper aims to explore the strategies for the digital exhibition and communication of Mount Tai's Fengshan and sacrificial culture from the perspective of aesthetics, with the goal of providing new ideas for the modern innovation of intangible cultural heritage. First, the paper outlines the historical context of Mount Tai's Fengshan and sacrificial culture, analyzes its cultural connotations and aesthetic value, and discusses the role of digital exhibition technologies in cultural inheritance. A theoretical framework for the digital communication of Mount Tai's Fengshan and sacrificial culture is constructed from four dimensions: aesthetic theory, core elements of cultural heritage, implementation paths, and effect evaluation. The study suggests that the digital communication of Mount Tai's Fengshan and sacrificial culture faces challenges in technology, content, channels, and cultural inheritance, and suggests a comprehensive approach, including technological innovation, content balance, user analysis, and copyright protection.

Keywords:

Mount Tai's Fengshan,Sacrificial Culture,Digital Display,Cultural Communication,Aesthetic Perspective

References

Aburamadan, Rania, Claudia Trillo, Chika Udeaja, Athena Moustaka, Kwasi GB Awuah, and Busisiwe CN Makore. 2021. "Heritage conservation and digital technologies in Jordan." Digital Applications in Archaeology and Cultural Heritage 22: e00197.

Alker, Zoe, and Christopher Donaldson. 2018. "Digital heritage." Journal of Victorian Culture 23, no. 2: 220-221.

Bekele, Mafkereseb Kassahun, Roberto Pierdicca, Emanuele Frontoni, Eva Savina Malinverni, and James Gain. 2018. "A survey of augmented, virtual, and mixed reality for cultural heritage." Journal on Computing and Cultural Heritage (JOCCH) 11, no. 2: 1-36.

Cai, Zhenrao, Chaoyang Fang, Qian Zhang, and Fulong Chen. 2021. "Joint development of cultural heritage protection and tourism: the case of Mount Lushan cultural landscape heritage site." Heritage Science 9, no. 1: 86.

Chen Keyu. 2016. "A 'Deep Description' of the Social Function of Intangible Cultural Heritage: A Case Study of the Taishan Fengshan Ceremony." Humanities World, 6(04): 74-77. DOI: 10.16737/j.cnki.rwtx81281190.2016.04.017.

Chen, Robert Shan-Mu. 1977. "Aspects of cyclic myth in Chinese and Western literature." PhD diss., University of British Columbia.

Dott, Brian R. 2020. Identity reflections: pilgrimages to Mount Tai in late imperial China. Vol. 244. BRILL.

El-Hakim, Sabry F., George MacDonald, Jean-François Lapointe, Lorenzo Gonzo, and Michael Jemtrud. 2006. "On the Digital Reconstruction and Interactive Presentation of Heritage Sites through Time." In VAST, pp. 243-250.

Feng, Wenjun, and Chen, Rumin. 2017. "Research on the Digital Application of Taishan Shadow Puppetry." Cultural Studies Journal 1, no. 01: 38-39.

Feuchtwang, Stephan. 2003. Popular religion in China: the imperial metaphor. Routledge.

Georgopoulos, Andreas. 2018. "Contemporary digital technologies at the service of cultural heritage." Heritage Preservation: A Computational Approach 1-20.

Guo, Chenguang. 2018. "Cong Liu Song Ni Yuefu Shuxie Fanshi de Zhuanxing Kan Shi Shu Yuefu Zhi Fenliu—Jian Lun Cizhong Ni Zuo Fanshi Zhuanxing Zhi Shehui Dongli" [The Divergence of Scholar and Commoner Yuefu in the Transformation of Liu Song’s Imitative Yuefu Writing
Model—Also Discussing the Social Forces Behind This Transformation]. Journal of Southwest University (Social Sciences Edition) 44 (2): 144-153.

Haag, Brenda Bannan, and Wendy Snetsigner. 1993. "Aesthetics and Screen Design: An Integration of Principles.".

Han, Lifeng. 2015. "Communicating Civilization Through Rituals: Mount Tai Pilgrimages in Song China, 960-1279." Journal of Chinese Humanities 1, no. 2: 335-362.

Hu, Xindan, and B. Bas Verschuuren. 2019. The Cultural and Spiritual Values of Nature in Chinese World Heritage Sites: A Comparative Study of Fanjingshan, Mount Wutai and Mount Taishan. Wageningen University.

Huang, Yonglin. 2015. "Protection and Utilization of Intangible Cultural Heritage in the Context of Digitization." Cultural Heritage 1: 10-157.

Kern, Martin, ed. 2011. Text and ritual in early China. University of Washington Press.

Li, Jiaqi. 2023. "Research on digital display of intangible cultural heritage." Journal of Education, Humanities and Social Sciences 8: 54-61.

Liu, Xiaomei, Wang, Hui, Shi, Weidong, and Guan, Rui. 2022. "Study on Tai'an Tourism Performing Art Product Experience Design from the Perspective of Tourists." Journal of Landscape Research 14, no. 5.

Ma, Duanlin. 1896. Wenxian Tongkao [Comprehensive Examination of Literature] (文献通考), vol. 31. Zhejiang: Zhejiang Shuju.

Ma, Jinliang, and Yu Shaofei. 2014. "20 Shiji Yilai Shijing · Lu Song Yanjiu Zongshu" [A Review of Studies on Shijing · Lu Song Since the 20th Century]. Shandong Youth Political College Journal 30 (3): 126-130.

Ma, Rong, Zhu, Yinglan, Li Pingzhi. 2022. "Research on the Development and Utilization of Traditional Cultural Archive Resources in the New Media Environment: A Case Study of Taishan Shigandang Culture." Heilongjiang Archives, 1(01): 12-14.

Mah, Osten Bang Ping, Yingwei Yan, Jonathan Song Yi Tan, Yi-Xuan Tan, Geralyn Qi Ying Tay, Da Jian Chiam, Yi-Chen Wang, Kenneth Dean, and Chen-Chieh Feng. 2019. "Generating a virtual tour for the preservation of the (in) tangible cultural heritage of Tampines Chinese Temple in Singapore." Journal of Cultural Heritage 39: 202-211.

Merkulova, Svitlana Ivanivna, and Svitlana Valeriivna Pryshchenko. 2022. "Visual Aesthetics of the Digital Media." European Journal of Media, Art & Photography10, no. 2: 79-89.

Mittag, Achim. 2005. "What Makes a Good Historian: Zhang Xuecheng’s Postulate of “Moral Integrity”(Shi De) Revisited." In Historical Truth, Historical Criticism, and Ideology, pp. 365-403. Brill.

Niu, Guangxia. 2020. "The Survival Context and Integrated Communication of Traditional Folk Customs in the 'Post-Intangible Cultural Heritage Era': An Investigation Based on the Taishan Dongyue Temple Fair." Folklore Studies 2, no. 02: 109-115.

Peng, Dongmei, Liu, Xiaojian, and Sun, Shouqian. 2008. "Information Perspective: The Digitalization Theory of Intangible Cultural Heritage Protection." Journal of Computer-Aided Design and Computer Graphics 1, no. 01: 117-123.

Puett, Michael J. 2002 "A Theocracy of Spirits: Theism, Theomorphism, and Alchemy in the Qin and Early Han Empires." In To Become a God, pp. 225-258. Harvard University Asia Center.

Sanft, Charles. 2008. "Progress and Publicity in Early China: Qin Shihuang, Ritual, and Common Knowledge." Journal of Ritual Studies 21-37.

Schaab-Hanke, Dorothee. 2002. "The power of an alleged tradition: A prophecy flattering Han emperor Wu and its relation to the Sima Clan." Bulletin of the Museum of Far Eastern Antiquities 74: 259.

Shi Liangliang. 2020. "The 'Tourism Reality' from an Anthropological Perspective: A Case Study of the Large-Scale Scenic Performance Zhonghua Taishan: Fengshan Ceremony." Journal of Taishan University, 42(01): 56-59.

Shi, Youwen. 2018. "Chen Jun Xie Shi de Jiazu Jiaoyu yu Da Xie Kaichuang Shanshui Shi" [The Family Education of the Chen Jun Xie Family and the Creation of Landscape Poetry by the Xie Family]. Donghai University Library Journal 30: 1-15.

Su, Xiaowei. 2017. "Researching the image of the yellow emperor in China’s early textual sources and archaeological materials." Journal of Chinese Humanities3, no. 1: 48-71.

Whiteman, Stephen. 2013. "Kangxi’s auspicious Empire: rhetorics of geographic integration in the Early Qing." Chinese History in Geographical Perspective 33-54.

Wigdor, Daniel, and Dennis Wixon. 2011. Brave NUI world: designing natural user interfaces for touch and gesture. Elsevier.

Yang, Cheng, Sun Shouqian, and Su Huan. 2006. "The Restoration and Display of Chime Bell Music and Dance in the Protection of Chu Culture." Journal of Image and Graphics 10: 1474-1479.

Yu, Ying, Bing Liu, Lin Ma, Xin Han, and Taeyeol Jung. 2023."'Thousand Years of Charm': Exploring the Aesthetic Characteristics of the Mount Tai Landscape from the Cross-Textual Perspective." Land 12, no. 12: 2129.

Zhang, Jingya, and Zhang Yujun. 2019. "The Evolution and Recognition of the Cultural Landscape Value of Protected Areas: A Case Study of Mount Tai." Journal of Natural Resources 34 (9): 1833-1849.

Zhao, Ye, Zhao, Yijun, Lu,. Xinyu, and Liu Nan. 2023. "Conservation Approach for Mountain Landscape Heritage from the Perspective of Spatial and Temporal Integrity: A Case Study of Mount Tai." Landscape Architecture 30, no. 12: 86-92.

Zhou, Guanglei. 2018. "Digital Protection—A New Direction for the Protection of Intangible Cultural Heritage." Cultural Innovation and Comparative Research 2, no. 20: 146-147.

Vol. 8, No. 1 (2024)

Downloads

Published

2024-10-07

How to Cite

  
Fu, Yaqin.2024. "A Study on the Digital Exhibition and Communication of Mount Tai's Fengshan and Sacrificial Culture from the Perspective of Aesthetics." International Journal of Contemporary Humanities 8 (1): 71-89. https://doi.org/10.62531/14270.2024.42098.176

Issue

Vol. 8, No. 1 (2024)

Section

Articles